Code of Criminal Procedure, 1898
Code of Criminal Procedure, 1898
Code of Criminal Procedure, 1898 is the main legislation on procedure for administration of substantive criminal law in Pakistan. It provides the machinery for the investigation of crime, apprehension of suspected criminals, collection of evidence, determination of guilt or innocence of the accused person and the determination of procedure. It extends to the whole of, Pakistan but, in the absence of any specific provision to the contrary, nothing therein contained shall affect any special or local law, new in force, or any special jurisdiction or power conferred or any special form of procedure prescribe by any other law for the time being in force.
Khalid Zafar Graduated in commerce from Hailey College of Commerce, University of the Punjab, Lahore, Pakistan and obtained his law degree from University of the Punjab, Lahore, Pakistan. He has a diversified experience of over 21 years as a litigator and corporate lawyer and has worked with leading law firms including Cornelius, Lane & Mufti; Mandviwalla & Zafar; Surridge & Beecheno; and Hassan & Hassan in the years 1999 through 2012.
Directed by Laras Cahyo Purnomo (a name to watch in the emerging cinema luka or "wound cinema" movement in Indonesia), Cerita Amput rejects the glossy social realism of much Indonesian mainstream film. Shot in 4:3 aspect ratio on a modified DSLR, the color palette is desaturated to near-monochrome—greens bleed into gray, skin looks jaundiced under fluorescent hospital lights.
Key stylistic choices include:
In the landscape of Indonesian independent cinema, where horror and romance often dominate, Cerita Amput (roughly translating to “Amputee Story” or “An Amputated Story”) arrives as a quiet thunderclap. Directed by Ivan Andhito, this 2021 psychological drama defies easy categorization. It is not a film about physical amputation in the traditional medical sense, but rather a visceral exploration of emotional amputation—the severing of the self from hope, memory, and the future.
Starring a powerful Rukman Rosadi and the intense Yusuf Mahardika, the film is a slow-burn meditation on grief, toxic masculinity, and the desperate, often failed, attempts at human connection. Cerita Amput %5B2021%5D
The film follows Rama (played by a then-unknown stage actor, Abdullah Umar), a young motorcycle taxi driver in a congested Jakarta satellite city. One night, a routine ride ends in a catastrophic highway accident caused by a sleep-deprived truck driver. Rama survives but loses his right leg below the knee.
The narrative is deliberately episodic, refusing melodrama. Instead, it traces the mundane yet crushing aftermath: the phantom pain, the sudden financial collapse (his bike is totaled, with no insurance), the awkward pity from friends, and his mother’s quiet desperation as she sells her wedding jewelry for a ill-fitting prosthetic.
The film’s title works on two levels: it refers to Rama’s literal amputation, but also to the “amputated” future he had envisioned—becoming a courier business owner, marrying his girlfriend, Sari. Sari does not leave him dramatically; she simply stops returning calls after the second month, an absence felt more keenly than any fight. Directed by Laras Cahyo Purnomo (a name to
Pelaku: Karyawan magang (sebutlah Bimo) Kronologi: Karena pandemi, rapat dilakukan online via Zoom. Bimo mengira microphone-nya dalam keadaan mute (diam). Saat bos sedang menjelaskan target penjualan, Bimo memutuskan "latihan stand up comedy" untuk menghilangkan bosan. Dia bilang ke dirinya sendiri: "Jadi gitu, pak bos. Terus saya bilang 'itu mah gampang, santai atuh pak.' Lalu saya tertawa: ha ha ha." Puncak: Tiba-tiba Bos berhenti bicara. Semua peserta rapat diam. Terdengar suara Bimo: "Ha ha ha... Eh, ck. Kurang lucu ya?" Kata Amput: Bimo panik menekan tombol "Leave Meeting" dan tidak pernah bergabung lagi. Dia menulis status di LinkedIn: "Open to opportunities. Silakan DM. Amput." Verdik Netizen: "Amput, bis. Sekalian amput diri dari perusahaan."
Sebelum menjadi genre cerita, "Amput" pertama kali muncul di kolom komentar akun-akun meme besar seperti @txtdakocan atau @meman_kzl. Awalnya, ketika seseorang menceritakan kegagalan yang tak terelakkan, netizen akan berkomentar "Amput" sebagai simpati sarkastik.
Namun, titik balik terjadi pada awal 2021. Sebuah utas anonim dari akun @cerita_randi (yang kini sudah tidak aktif) menceritakan pengalaman seorang pemuda yang salah kirim pesan "I love you" ke grup WhatsApp angkatan kuliah. Panik, ia minta maaf dengan nada memelas: "Woy, amput. Gak sengaja." Utas itu di-retweet puluhan ribu kali. Sejak saat itu, kata "Amput" berevolusi. Bukan lagi sekadar komentar, tapi menjadi label untuk narasi kegagalan komedi tingkat dewa. Cerita Amput premiered at the Jogja-NETPAC Asian Film
Format standar "Cerita Amput" adalah:
Cerita Amput premiered at the Jogja-NETPAC Asian Film Festival (2021) and later streamed on Bioskop Online. It earned praise for its restrained body horror—compared to early David Cronenberg mixed with the quiet dread of The Babadook—though some critics found its third act too abstract. The final shot (a single unbroken take of Rini’s empty wheelchair turning in slow motion) remains divisive: haunting for some, pretentious for others.
Audience reaction on Letterboxd includes tags like “slow burn,” “unsettling but beautiful,” and “needs subtitles for the whispered Javanese dialogue.”
Rama’s body was his tool (driving). Once amputated, he loses not just mobility but economic identity. The local disability allowance is a bureaucratic maze; a prosthetic costs three years of his previous wages. The film argues that disability in a developing urban economy is a form of slow death, not by illness but by irrelevance.
Ms. Mahnoor Nazir graduated in law from Punjab University and has done her masters in English literature as well from Punjab University. She is a lawyer who specializes in problem-solving, legal writing and has expertise in civil and banking laws. With a thorough understanding of the law, she pays close attention to the problem solving of the firm’s client and device strategies for the success completion of transactions. She has also successfully served clients from all around Pakistan with a variety of legal concerns. Mahnoor competently represent the firm’s client in the court of law and prepare the case briefs successfully.
Hamza graduated from Punjab University Law College (PULC) and also holds a Masters degree in Political Science. He is a practicing member of Punjab Bar Association. He handles all the civil, banking and commercial litigation of the firm. Hamza has expertise in revenue and land matters and has been doing land records due diligence. He is handling the corporate matter like Intellectual Property Rights, registration of limited liability companies, partnership matters, trademarks and copyrights etc. Hamza is handling the transactional banking matters including but not limited to property opinions, structuring and execution of the transactions. He has legal acumen and skills for solving various kinds of legal propositions and issues successfully.