Nekrogoblikon have always used vivid, cartoonish imagery centered on their goblin mascot. Stenchrar’s artwork amplifies this: grotesque but colorful, mixing fantasy grime with a slightly satirical horror vibe. Visual themes extend into music videos and merch—often cinematic mini-stories that pair well with the band’s campy performance style. The visual identity supports the music by signaling both comedy and seriousness in equal measure.

The mix is modern and polished: tight low end, bright mids, and crisp highs. Drums have punchy snares and focused kick samples, giving the rhythm section clarity even in dense arrangements. Guitars are layered to create weight without muddiness. The synthesizers are placed to emphasize atmosphere and comedy cues rather than to dominate. Mastering brings loudness appropriate for current metal releases but retains dynamic contrast.

(Exact track names are left out here to avoid spoilers for first-time listeners; pick whichever cuts on your copy match these descriptions.)

It is hard to pick a "skip" track on this album, but a few songs have become legendary in the Nekrogoblikon catalog:

What surprises most first-time listeners is the legitimate musical talent on display. Stench is not a comedy album; it is a ferociously tight melodic death metal record.

Drawing comparisons to heavyweights like Children of Bodom and early In Flames, the guitar work by Alex Alulis and Tim Lyakhov is razor-sharp. The riffs are fast, the solos are neo-classical flourishes of brilliance, and the rhythm section drives the songs forward with a punk-rock urgency.

Vocalist Nicky Calonne showcases an impressive range. He seamlessly transitions from guttural growls and high-pitched shrieks to surprising melodic cleans. This variety keeps the album dynamic; you aren't just hearing blast beats for forty minutes, you are listening to fully composed songs with verses and choruses that get stuck in your head for days.

If there is a definitive audio document of Stenchrar, it is found on their 2018 album, Welcome to Bonkers. The track simply titled "Dressed as Goblins" features a breakdown section that fans have unofficially dubbed the “Stenchrar Bridge.” Here, guitarist Alex “Goblin Lord” Alereza drops into a lurching, sludge-metal groove that smells (sonically speaking) like a bog. Vocalist Nicky “Nick” Calonne switches from his signature melodic rasp to a lower, almost subsonic gurgle, chanting:

“Let the stench rise from the rar / Feel the rot beneath the scar / No king, no god, just the jar / Of the mighty Stenchrar.”

Musically, Stenchrar is defined by:

About Team Terms of use Privacy Policy

Nekrogoblikon - Stenchrar

Nekrogoblikon have always used vivid, cartoonish imagery centered on their goblin mascot. Stenchrar’s artwork amplifies this: grotesque but colorful, mixing fantasy grime with a slightly satirical horror vibe. Visual themes extend into music videos and merch—often cinematic mini-stories that pair well with the band’s campy performance style. The visual identity supports the music by signaling both comedy and seriousness in equal measure.

The mix is modern and polished: tight low end, bright mids, and crisp highs. Drums have punchy snares and focused kick samples, giving the rhythm section clarity even in dense arrangements. Guitars are layered to create weight without muddiness. The synthesizers are placed to emphasize atmosphere and comedy cues rather than to dominate. Mastering brings loudness appropriate for current metal releases but retains dynamic contrast.

(Exact track names are left out here to avoid spoilers for first-time listeners; pick whichever cuts on your copy match these descriptions.) nekrogoblikon stenchrar

It is hard to pick a "skip" track on this album, but a few songs have become legendary in the Nekrogoblikon catalog:

What surprises most first-time listeners is the legitimate musical talent on display. Stench is not a comedy album; it is a ferociously tight melodic death metal record. “Let the stench rise from the rar /

Drawing comparisons to heavyweights like Children of Bodom and early In Flames, the guitar work by Alex Alulis and Tim Lyakhov is razor-sharp. The riffs are fast, the solos are neo-classical flourishes of brilliance, and the rhythm section drives the songs forward with a punk-rock urgency.

Vocalist Nicky Calonne showcases an impressive range. He seamlessly transitions from guttural growls and high-pitched shrieks to surprising melodic cleans. This variety keeps the album dynamic; you aren't just hearing blast beats for forty minutes, you are listening to fully composed songs with verses and choruses that get stuck in your head for days. Musically, Stenchrar is defined by:

If there is a definitive audio document of Stenchrar, it is found on their 2018 album, Welcome to Bonkers. The track simply titled "Dressed as Goblins" features a breakdown section that fans have unofficially dubbed the “Stenchrar Bridge.” Here, guitarist Alex “Goblin Lord” Alereza drops into a lurching, sludge-metal groove that smells (sonically speaking) like a bog. Vocalist Nicky “Nick” Calonne switches from his signature melodic rasp to a lower, almost subsonic gurgle, chanting:

“Let the stench rise from the rar / Feel the rot beneath the scar / No king, no god, just the jar / Of the mighty Stenchrar.”

Musically, Stenchrar is defined by:

Team

Project Leader & Advisor (Jul 2011-present)
Associate Professor Steven Halim, School of Computing (SoC), National University of Singapore (NUS)
Dr Felix Halim, Senior Software Engineer, Google (Mountain View)

Undergraduate Student Researchers 1
CDTL TEG 1: Jul 2011-Apr 2012: Koh Zi Chun, Victor Loh Bo Huai

Final Year Project/UROP students 1
Jul 2012-Dec 2013: Phan Thi Quynh Trang, Peter Phandi, Albert Millardo Tjindradinata, Nguyen Hoang Duy
Jun 2013-Apr 2014 Rose Marie Tan Zhao Yun, Ivan Reinaldo

Undergraduate Student Researchers 2
CDTL TEG 2: May 2014-Jul 2014: Jonathan Irvin Gunawan, Nathan Azaria, Ian Leow Tze Wei, Nguyen Viet Dung, Nguyen Khac Tung, Steven Kester Yuwono, Cao Shengze, Mohan Jishnu

Final Year Project/UROP students 2
Jun 2014-Apr 2015: Erin Teo Yi Ling, Wang Zi
Jun 2016-Dec 2017: Truong Ngoc Khanh, John Kevin Tjahjadi, Gabriella Michelle, Muhammad Rais Fathin Mudzakir
Aug 2021-Apr 2023: Liu Guangyuan, Manas Vegi, Sha Long, Vuong Hoang Long, Ting Xiao, Lim Dewen Aloysius

Undergraduate Student Researchers 3
Optiver: Aug 2023-Oct 2023: Bui Hong Duc, Tay Ngan Lin

Final Year Project/UROP students 3
Aug 2023-Apr 2024: Xiong Jingya, Radian Krisno, Ng Wee Han, Tan Chee Heng
Aug 2024-Apr 2025: Edbert Geraldy Cangdinata, Huang Xing Chen, Nicholas Patrick

List of translators who have contributed ≥ 100 translations can be found at statistics page.

Acknowledgements
NUS CDTL gave Teaching Enhancement Grant to kickstart this project.

For Academic Year 2023/24 - present (currently AY 2025/26) - generous donations from Optiver will be used to further develop VisuAlgo.

Terms of use

VisuAlgo is generously offered at no cost to the global Computer Science community. If you appreciate VisuAlgo, we kindly request that you spread the word about its existence to fellow Computer Science students and instructors. You can share VisuAlgo through social media platforms (e.g., Facebook, YouTube, Instagram, TikTok, Twitter, etc), course webpages, blog reviews, emails, and more.

Data Structures and Algorithms (DSA) students and instructors are welcome to use this website directly for their classes. If you capture screenshots or videos from this site, feel free to use them elsewhere, provided that you cite the URL of this website (https://visualgo.net) and/or the list of publications below as references. However, please refrain from downloading VisuAlgo's client-side files and hosting them on your website, as this constitutes plagiarism. At this time, we do not permit others to fork this project or create VisuAlgo variants. Personal use of an offline copy of the client-side VisuAlgo is acceptable.

Please note that VisuAlgo's online quiz component has a substantial server-side element, and it is not easy to save server-side scripts and databases locally. Currently, the general public can access the online quiz system only through the 'training mode.' The 'test mode' offers a more controlled environment for using randomly generated questions and automatic verification in real examinations at NUS.

List of Publications

This work has been presented at the CLI Workshop at the ICPC World Finals 2012 (Poland, Warsaw) and at the IOI Conference at IOI 2012 (Sirmione-Montichiari, Italy). You can click this link to read our 2012 paper about this system (it was not yet called VisuAlgo back in 2012) and this link for the short update in 2015 (to link VisuAlgo name with the previous project).

Bug Reports or Request for New Features

VisuAlgo is not a finished project. Associate Professor Steven Halim is still actively improving VisuAlgo. If you are using VisuAlgo and spot a bug in any of our visualization page/online quiz tool or if you want to request for new features, please contact Associate Professor Steven Halim. His contact is the concatenation of his name and add gmail dot com.

Privacy Policy

Version 1.2 (Updated Fri, 18 Aug 2023).

Since Fri, 18 Aug 2023, we no longer use Google Analytics. Thus, all cookies that we use now are solely for the operations of this website. The annoying cookie-consent popup is now turned off even for first-time visitors.

Since Fri, 07 Jun 2023, thanks to a generous donation by Optiver, anyone in the world can self-create a VisuAlgo account to store a few customization settings (e.g., layout mode, default language, playback speed, etc).

Additionally, for NUS students, by using a VisuAlgo account (a tuple of NUS official email address, student name as in the class roster, and a password that is encrypted on the server side — no other personal data is stored), you are giving a consent for your course lecturer to keep track of your e-lecture slides reading and online quiz training progresses that is needed to run the course smoothly. Your VisuAlgo account will also be needed for taking NUS official VisuAlgo Online Quizzes and thus passing your account credentials to another person to do the Online Quiz on your behalf constitutes an academic offense. Your user account will be purged after the conclusion of the course unless you choose to keep your account (OPT-IN). Access to the full VisuAlgo database (with encrypted passwords) is limited to Prof Halim himself.

For other CS lecturers worldwide who have written to Steven, a VisuAlgo account (your (non-NUS) email address, you can use any display name, and encrypted password) is needed to distinguish your online credential versus the rest of the world. Your account will have CS lecturer specific features, namely the ability to see the hidden slides that contain (interesting) answers to the questions presented in the preceding slides before the hidden slides. You can also access Hard setting of the VisuAlgo Online Quizzes. You can freely use the material to enhance your data structures and algorithm classes. Note that there can be other CS lecturer specific features in the future.

For anyone with VisuAlgo account, you can remove your own account by yourself should you wish to no longer be associated with VisuAlgo tool.