If lifestyle is the daily maintenance of the self, entertainment is its public performance. Here, Booth’s influence is most visible, albeit indirectly. The entertainment industry—from Hollywood to TikTok—is obsessed with the face. The "star image" is a construct of facial harmony: symmetry, proportion, and expressivity. Surgical procedures that Booth helped refine (e.g., Le Fort osteotomies, bilateral sagittal split osteotomies) are the hidden scaffolding behind countless celebrity transformations. When an actor undergoes maxillofacial surgery to correct a functional bite issue, the result is not merely medical; it is performative. Their new jawline becomes a character attribute, a marketing tool, a meme.
Consider the aesthetics of the "digital face" in streaming media and video games. High-definition cinematography and 4K gaming render every micro-expression in forensic detail. The same principles of facial analysis found in a Peter Ward Booth PDF—measuring the nasolabial angle, the intercanthal distance, the occlusal plane—are now used by CGI artists to create believable digital humans or by casting directors to select actors for "close-up" emotional arcs. The uncanny valley, that terrifying space where a synthetic face is almost but not quite human, is precisely a maxillofacial problem: the algorithm fails to replicate the dynamic, functional harmony Booth described. Entertainment, therefore, has become a mass-consumer simulation of surgical logic. We do not just watch faces; we diagnostically scan them. peter ward booth maxillofacial surgery pdf
The 3rd edition is available as an eText. While expensive (~$400 USD), it is searchable, bookmarked, and includes full-color figures. This is the closest legal equivalent to a "PDF." If lifestyle is the daily maintenance of the
Peter Ward Booth is a Emeritus Professor of Oral and Maxillofacial Surgery at King's College London (formerly UMDS, Guy's and St Thomas' Hospitals). He is a pioneering figure in British and international OMFS. His clinical interests have historically included orthognathic surgery, facial deformity, and temporomandibular joint (TMJ) surgery. The "star image" is a construct of facial
However, his most enduring legacy is his didactic approach to teaching. He identified a critical gap in the 1980s and 1990s: there was no single, concise, "how-to" manual for junior surgeons in OMFS. Most texts were encyclopedic but impractical for the operating theater. His textbook changed that.
Your university library can obtain a physical copy of the 2007 edition via ILL. You can then legally scan up to 10% of the book (typically the "Management Boxes" chapter) for personal study under fair use.