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The music industry in Japan is the second largest in the world (after the US), but it operates in a near-vacuum due to strict copyright and a physical-media addiction (fans still buy CDs in plastic jewel cases).

If you want to understand modern Japanese humor, don't watch a sitcom—watch Gaki no Tsukai or Wednesday Downtown. Unlike scripted Western late night, Japanese variety TV relies on reaction. The formula is simple: Put a famous actor or idol in an absurd situation (a haunted hospital, a silent library, a physical endurance test) and watch them break. The music industry in Japan is the second

Japan has solved the "human" problem. Hatsune Miku, a holographic pop star created from Yamaha's Vocaloid voice synthesizer, sells out arenas. Miku has no scandals, never ages, and her music is crowdsourced from amateur producers. This reflects a deep cultural acceptance of tsukumogami (the spirit in the object)—if the performance is perfect, who cares if the singer is a projection? No discussion is honest without addressing the rigid

No discussion is honest without addressing the rigid structures that support (and sometimes crush) this industry. a silent library