Suicideboys Discography -
Before the world knew their names, the boys flooded the internet with a relentless series of EPs titled Kill Yourself (often abbreviated KYS). These 20+ short projects were raw, lo-fi, and recorded in Scrim’s bedroom. The sound was characterized by distorted 808s, pitched-down vocals, and samples from Three 6 Mafia and old horror films.
2016 was the pivot. The production value widened without losing the grit.
Suicideboys$, an American rap duo from New Orleans, Louisiana, has been active in the music scene since 2014. The group consists of cousins Scrim (formerly $crim) and Ruby da Cherry, known for their unique blend of hip hop, cloud rap, and trap music. With a prolific output, they have released numerous projects, collaborations, and mixtapes. Here's a detailed look into their discography: Suicideboys Discography
These two mixtapes represent the "grey" era—a transition from pure horrorcore to introspective depression.
Before the platinum plaques, $uicideboy$ communicated exclusively through a series of EPs on SoundCloud. Their foundational work is the Kill Yourself (often abbreviated KYS) series. These 20-track mixtapes (each roughly 15-20 minutes long) were released at a breakneck pace. Before the world knew their names, the boys
Key Releases:
The Vibe: Spectral beats, three-six mafia style hi-hats, lyrics about rotting teeth, roaches, and wanting to drown. This era is raw, dangerous, and essential for purists. 2016 was the pivot
This period is the darkest chapter of the discography, and tragically, it feels real. Scrim was visibly deteriorating. His eyes were yellow; his performances were sloppy. Ruby became the anchor. The music from 2018–2019 is not "fun" to listen to; it is a primary source document of a fatal spiral.
Key Releases:
The Hiatus: After 2019, Scrim nearly died of a fentanyl overdose. He found religion (JCS) and got sober. Ruby followed. For two years, the discography went silent. Fans feared the worst.
By 2022, $uicideboy$ were headlining arenas. This album sees them embracing their role as elder statesmen of the underground. The lyrics focus less on active using and more on the wreckage left behind. It is their most melodic and guitar-driven project. Tracks: "Escape from BABYLON," "The_Eclipse."
