If you are navigating private forums or legacy trackers looking for this release, here is how to spot the authentic Warpaint The Fool Deluxe Edition 2011 Repack:
The original 2010 digipak was minimalist: a matte-finish cover featuring the band’s iconic mirrored, distorted portrait. The 2011 Repack, however, elevated the artifact to art.
For the casual listener, streaming The Fool in hi-res is fine. But for the fan who appreciates the ritual of physical media—the crackle of vinyl, the smell of a lyric booklet, the joy of a hidden demo—the Warpaint "The Fool" Deluxe Edition 2011 Repack is essential. It represents a moment when a young, all-female band from Los Angeles refused to compromise their hypnotic vision, and a record label stepped up to repackage that vision in its most complete, respectful form.
Whether you find it in a dusty record shop bin or pay a premium on a collector’s marketplace, this repack isn’t just a reissue. It’s the definitive statement of a modern classic.
Have a copy of the 2011 Repack? Share your matrix numbers and pressing stories in the comments below.
The day the "Warpaint" deluxe repack arrived in 2011, it felt less like a CD delivery and more like a transmission from a distant, cooler planet.
Elias lived in a town where the loudest sound was usually a lawnmower or a distant freight train. When he peeled back the plastic on the double-disc set, the artwork alone—swirling, psychedelic, and moody—promised an escape from the beige walls of his bedroom.
He slid the first disc into his beat-up laptop. The opening bassline of "Set Your Arms Down" filled the room, thick and hypnotic. It wasn't just music; it was an atmosphere. By the time "Undertow" hit, he was staring out the window, the grey afternoon suddenly feeling like a scene from a noir film.
But it was the bonus material—the remixes and the "Rough Trade" sessions—that felt like the real secret. These weren't just filler tracks; they were echoes. The Winter version of "Billie Holiday" felt colder, more skeletal, like a ghost dancing in the corner of his room. The 2011 repack wasn't just an album; it was a map of where the band had been and a hint of the cult legends they were becoming.
That night, Elias didn't sleep much. He just kept the deluxe edition on a loop, the twin guitars of Emily Kokal and Theresa Wayman weaving through his dreams like silver thread. In a small town in the middle of nowhere, four women from LA had just handed him a key to a much wider, weirder world. If you'd like, I can:
Give you a track-by-track breakdown of what made the deluxe edition special. Tell you more about the band's history during that era. warpaint the fool deluxe edition 2011 repack
Recommend similar albums from 2011 if you're looking for that specific vibe.
Deep Diving into Warpaint’s "The Fool" (Deluxe Edition) September 26, 2011 , less than a year after their haunting debut album, released a special Deluxe Edition Rough Trade Records
. This "repack" served as a comprehensive look at the band's early career, combining their breakthrough full-length with the influential Exquisite Corpse The Sound of Modern Mysticism The album was produced by Tom Biller
(known for work with Liars and Sean Lennon) and featured iconic mixing from Andrew Weatherall
on tracks like "Undertow" and "Baby". Critics and fans alike praised the record for its: Intricate Psychedelia
: A blend of weaving guitar lines and driving post-punk rhythms. Hypnotic Vocals : Soft yet magnetic delivery from vocalists Emily Kokal Theresa Wayman Otherworldly Atmosphere
: A skeletal, reverb-heavy sound that felt both intimate and mystical. Deluxe Edition Tracklist
The 2011 deluxe repack is notable for its second disc, which effectively serves as a retrospective of the band's pre-album material. Notable Details Set Your Arms Down Album opener Mixed by Andrew Weatherall Mid-album highlight Shadows (Neon Lights Remix) Deluxe Bonus Track Exquisite Corpse Exquisite Corpse Billie Holiday Exquisite Corpse Billie Holiday (Steve Mackey Edit) Deluxe Bonus Track Legacy and Rarity Following the release,
earned a silver certification in Europe, representing over 20,000 copies sold. While the original 2010 pressing sometimes suffered from technical issues like "swooshing" noises, the later repacks and deluxe editions corrected these mastering flaws for a fuller soundstage. For fans looking for the ultimate version, the Rough Trade store and platforms like
remain the best places to track down physical copies of this 2011 release. If you are navigating private forums or legacy
The neon sign above the door of “The Archive” flickered with the rhythmic mortality of a dying insect. Inside, the air smelled of ozone, stale popcorn, and the desperate kind of hope that only springs from being twenty-two and convinced that the past held all the answers.
Leo didn’t want the new releases. He didn't want the shiny, shrink-wrapped optimism of the current pop charts. He was hunting for a ghost.
He moved past the bins of vinyl, his fingers dancing over the spines of CD jewel cases—an obsolete medium for an obsolete feeling. He was looking for a specific pulse, a specific auditory scar from 2011. He stopped. His breath hitched.
There it was, wedged between a water-damaged copy of Mylo Xyloto and a greatest hits compilation nobody asked for.
The spine was cracked, the case slightly yellowed. The insert was a chaotic collage of primary colors and abstract dread. The text was typed in that specific, messy font that screamed "bedroom project" and "existential crisis."
warpaint the fool deluxe edition 2011 repack
Leo picked it up. It wasn’t the standard issue. This was the "repack." The one that circulated on file-sharing blogs in the dead of night a decade ago, the version that supposedly had the hidden tracks, the demos, the rough edges that hadn't been sanded down by the studio executives. The version where the bass sounded like a heartbeat trapped in a jar.
He checked the back. The tracklist was scrawled in sharpie on the back insert, a tell-tale sign of a CD-R, or perhaps a promo copy that had escaped the label's clutches. Stars, Beetles, Elephants. The songs weren't just titles; they were landmarks of a hazy, narcotic summer he spent in a friend's basement, back when the future was a looming storm cloud they all ignored.
He checked the price tag. Fifty cents.
He took it to the counter. The clerk, a guy with sleeves of tattoos and eyes that had seen too many bands come and go, raised an eyebrow. To understand the "Deluxe Edition 2011," we need a baseline
"Found the holy grail, huh?" the clerk muttered, scanning the barcode. The machine beeped—a harsh, digital rejection. He typed the price in manually. "I remember when this dropped. The production on the title track... it just sounds like drowning, doesn't it? In a good way."
"That's exactly why I need it," Leo said, handing over two crumpled quarters.
Leo walked out into the gray afternoon. He slid the disc into his portable player—a relic he refused to retire—and put the headphones over his ears. He skipped to the bonus tracks, the ones that defined the "repack."
The music started. A driving, relentless bassline. Ethereal guitars that sounded like sirens wailing in the distance. And then, the vocals, layered and haunting, singing about being a fool.
It was 2011 again. The world was ending, or maybe it was just beginning, but nobody cared because the rhythm was perfect. For the duration of that first track, the neon sign stopped flickering, the cold wind didn't bite, and Leo wasn't a twenty-something hunting for scraps of the past. He was just a listener, floating in the sonic architecture of a masterpiece, finally complete.
To understand the "Deluxe Edition 2011," we need a baseline. The Fool was originally released on Rough Trade Records. The standard edition included 10 haunting tracks, including fan favorites like:
The album was lauded by Pitchfork, NME, and The Guardian for its lush production and the telepathic musical interplay between the four members. Vinyl pressings sold out quickly. But within a year, the demand for more content became undeniable.
The 2011 repack of The Fool is not merely a collector’s footnote; it is an essential document of Warpaint’s artistic process. By folding “Jubilee,” a Bowie cover, and live recordings into the original album’s world, the deluxe edition deepens the listener’s immersion into the band’s foggy, rhythmic dreamscape. It stands as a testament to the idea that sometimes, a “repack” can unbind an album’s soul more fully than its initial release ever could. For those who discovered Warpaint through this edition, The Fool remains not a single statement, but a dialogue between the controlled and the chaotic—a fool’s errand, perhaps, but one worth undertaking.
Before diving into the deluxe repack, it’s essential to understand the album’s impact. Following their acclaimed 2009 EP Exquisite Corpse, Warpaint—comprising Emily Kokal (vocals/guitar), Theresa Wayman (guitar/vocals), Jenny Lee Lindberg (bass), and Stella Mozgawa (drums)—crafted a sophomore release that defied easy categorization.
The Fool was produced by Andrew Weathers (known for his work with The Breeders and PJ Harvey) and recorded at Sound City Studios. Tracks like "Undertow," "Shadows," and "Baby" showcased a band unafraid of space, tension, and vulnerability. Despite critical praise, physical copies of the album initially sold modestly, leading to a swift depletion of the first pressing.
When Warpaint released The Fool in October 2010, it was met with critical acclaim for its sparse, psychedelic sound—a stark contrast to the garage-rock revival of the era. Produced by Andrew Weathers and mixed by Nigel Godrich (known for his work with Radiohead), the album featured standout tracks like “Undertow,” “Shadows,” and “Elephants.” Its core aesthetic was one of controlled unease: Emily Kokal and Theresa Wayman’s interwoven, breathy vocals, Jenny Lee Lindberg’s pulsating basslines, and Stella Mozgawa’s precise, uncluttered drumming. The original release, however, was deliberately lean—ten tracks that felt like a continuous, nocturnal ritual.
By 2011, the band had gained momentum through relentless touring and festival appearances. The demand for deeper access to their creative process grew. The Deluxe Edition—repackaged that year—responded to this appetite not with throwaway B-sides, but with material that recontextualized the original work.