Female War I Am Pottery 01 2015 May 2026
Subject: Analysis of Pottery 01 (2015) and the contribution of ceramic artist Warja L. Publication Date: 2015 Publisher: Applied Pottery Workshop (APW)
The date anchors the piece to a particular moment in time: January 2015.
Let’s remember the context. In early 2015, the world was reeling from the Charlie Hebdo attacks in Paris. The #YesAllWomen movement was still fresh in memory from 2014. Globally, conversations about military sexual assault, the refugee crisis (particularly Syrian women fleeing conflict), and the quiet wars of reproductive rights were reaching a fever pitch.
To title a work “01 2015” suggests a journal entry, a snapshot of a specific winter of discontent. Perhaps the artist was reading about a war zone. Perhaps she was leaving one. Perhaps the only war that month was the one inside her own chest—the fight to create when the world tells you to be silent.
“female war i am pottery 01 2015” is not a comfortable piece of art. It’s a wound wrapped in a metaphor. But it’s also a testament to survival. The fact that it exists—that someone in January 2015 felt the need to write or sculpt or perform this phrase into being—means that someone survived long enough to make art out of the wreckage.
If you are the artist behind these words, thank you. If you are a viewer trying to understand them, sit with the discomfort. That feeling in your chest? That’s the kiln opening.
Have you encountered work with a similarly fragmented, powerful title? Or do you create art that blends domestic materials with violent themes? Let me know in the comments.
Tags: #FemaleWar #CeramicArt #FeministArt #2015 #ArtAndConflict #IKSPottery female war i am pottery 01 2015
(often part of a series referenced as Female War), which was released in late 2015. Movie Overview: Female War: A Nasty Deal (2015)
The film is a drama/thriller that explores themes of sacrifice, desperation, and moral compromise. Female War: A Nasty Deal (2015) - Cast & Crew - TMDB
Exhibit Write-Up
Title: female war i am pottery 01 (2015)
Medium: Hand-built stoneware, underglaze, oxidation firing
Dimensions: 28 × 34 × 22 cm
Statement
“female war i am pottery 01” is the first in a series exploring the internal and external conflicts inscribed on the female body and psyche through the language of clay. The vessel form—broken and reassembled with visible seams—references both the resilience and fragmentation of identity under sociopolitical pressure.
The phrase “female war” suggests a conflict fought without declared battles: gendered violence, reproductive rights, domestic labor, or the war of self-definition against inherited roles. By stating “i am pottery,” the artist claims an identity as both creator and created—malleable, fired, fragile, and enduring. The number “01” marks this as an origin point, a primal utterance in ceramic form.
Visual notes
The piece shows rough incised lines across a swollen belly-like curve, some lines healing into scars, others splitting open. A single glazed drip of deep red stops mid-surface—not blood, but clay’s memory of heat. The base is unglazed, raw, anchoring the work to earth.
Context
Exhibited in 2015 as part of “Unfired Truths” at a feminist art space, this work aligns with the era’s renewed attention to craft as political language (following the 2014–2015 resurgence of feminist art collectives online and offline). It echoes Judy Chicago’s The Dinner Party in material symbolism but resists neat narrative, embracing rupture. Subject: Analysis of Pottery 01 (2015) and the
Condition
Excellent. Firing flaws intentionally preserved.
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Female War: I Am Pottery (2015) — Unpacking an Intense Cinematic Tale
Released in September 2015, Female War: I Am Pottery (Korean title: 여자전쟁: 도기의 난) is a provocative South Korean drama that blends intense emotional conflict with thriller elements. As part of the Female War omnibus series—based on the popular comic works by cartoonist Park In-kwon—the film explores themes of desire, betrayal, and the complex bonds of friendship in an isolated setting. Movie Overview & Plot Summary
The story follows a humble bricklayer named Doggy (or "Pottery"), who lives a quiet, unpretentious life in a remote mountain village. His peaceful existence is disrupted when his longtime friend, Chang-guk, arrives unexpectedly with his beautiful wife, Sun-hwa.
Desperate Circumstances: Chang-guk is in dire financial straits and needs a place to hide while he attempts to revive his failing business.
A Tense Cohabitation: Doggy reluctantly allows the couple to stay with him, initiating an uncomfortable living arrangement where secrets quickly begin to surface. Exhibit Write-Up Title: female war i am pottery
The Conflict of Desire: The narrative centers on the simmering tension between the three characters. While Doggy tries to remain a loyal friend, he finds himself increasingly drawn to Sun-hwa, whose own secrets threaten to upend their fragile peace. Key Cast & Crew
Directed by Song Chang-soo, the film features a cast known for delivering grounded, high-stakes performances:
Choi Moo-seong: Portrays the lead character, Doggy (the bricklayer).
Kim Hye-na: Plays Sun-hwa, the wife caught in the middle of the conflict. Kim Joon-bae: Stars as Chang-guk, the desperate friend.
Original Creator: Based on the work of Park In-kwon, known for other gritty dramas like Daemul and Queen of Ambition. Production Context
Female War: I Am Pottery is part of a larger IPTV and Internet TV omnibus collection. These films were specifically tailored for adult audiences in South Korea, often carrying an NC-19 rating due to their mature themes, sexual content, and raw depictions of human nature.
The series is celebrated by niche cinema enthusiasts for its "thrilling storytelling" and ability to convey deep emotion even to non-Korean speakers. It is often described by viewers from platforms like Letterboxd as an "emotional rollercoaster" that focuses on the "textures of life" and the personal costs of societal expectations. Female War Series — The Movie Database (TMDB)